Final Terminology- Jialin Qiu

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Across
  1. 3. Music from other cultures, a genre of music in which the rhythms, melodies, or instrumentation are designed to evoke the atmosphere of far-off lands or ancient times.
  2. 4. The third and final second of a sonata-form movement, in which the themes of the exposition return, now in the home key of the movement.
  3. 7. A form often found in the first and last movements of sonatas, symphonies, and string quartets, consisting of three parts—exposition, development, and recapitulation.
  4. 9. instrumental music that represents something extra musical, such as the words of a poem or narrative or the sense of a painting or idea.
  5. 11. a chord made up of tones only a half -step or whole step apart
  6. 12. Originated in Italy, a musical piece for several solo voices set to a short poem.
  7. 14. directly quoting another work in a composition
  8. 15. The middle section of a sonata-form movement in which the themes and key areas introduced in the exposition are developed.
  9. 17. a famous melody that appears in all five movements of Berlioz’s Symphonie fantastique to represent the beloved from the program
  10. 21. the momentary speeding up or slowing down of the tempo within a melody line, literally “robbing” time from one note to give to another
  11. 22. gliding from one note to another
  12. 23. a composition for solo voice and piano that merges poetic and musical concerns
  13. 25. composing music using a series of values assigned to musical elements
Down
  1. 1. short melodic phrase repeated throughout a composition, sometimes slightly varied or transposed to a different pitch.
  2. 2. utilized by Renaissance composers to represent poetic images musically.
  3. 5. Homophonic compositions featuring a solo singer over orchestral accompaniment, accompaniment. Arias are very melodic primarily utilized in operas, cantatas, and oratorios.
  4. 6. Speak singing or often performed between arias and have texts that tend to be descriptive and narrating.
  5. 8. Music that seeks to avoid both the traditional rules of harmony and the use of chords or scales that provide a tonal center
  6. 10. Repeated unifying sections founds in between the solo sections of a concerto grosso
  7. 13. vocal music without instrumental accompaniment.
  8. 16. text set to a melody written in monophonic texture with un-notated rhythms typically used in religious worship.
  9. 18. unconventional, unorthodox, or non-traditional methods of singing or of playing musical instruments employed to obtain unusual sounds
  10. 19. ordinary A form of sacred musical composition, and it consists of five parts: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei.
  11. 20. music is music that has one melodic line, this one melodic line may be sung by one person or 100 people.
  12. 24. The first section of a sonata form movement, in which the themes and key areas of the movement are introduced; the section normally modulates from the home key to a different key