Across
- 3. the colour of the monster's hair and lips
- 4. at the end the monster becomes this, in fact he destroys his creator
- 6. French philosopher and writer who influenced this period with his theories
- 9. the most important dark setting because it's powerful and helps to create an atmosphere of mystery
- 12. a field that helped Mary Shelley in writing Frankenstein
- 13. the term Gothic was first applied only to this noun
- 15. the form of this novel
- 17. there were many in this period (ex. in France)
- 18. the surname of the first writer to establish a link between architecture and literature
- 19. dark side of the Romanticism
- 20. it makes us feel powerless in front of the power of nature
- 22. number of the different points of view
- 24. plural noun; they are vulnerable with irrational desire
- 25. example of a Gothic novel
- 29. the opposite of normal and natural
- 30. a young explorer on a voyage of expedition to the North Pole
Down
- 1. consisting of two equal, identical, or similar parts or things; one of the themes of Frankenstein
- 2. the writers aim to arouse this feeling in the reader
- 5. one of the main theme of the Gothic
- 7. an adjective to describe the Gothic settings such as isolated castles, convents,...
- 8. this theme is seen in the characters of Walton and Dr Frakenstein
- 10. the rejection of external reality and rationality
- 11. they were written by Walton and received by his sister
- 14. the person to whom Mary Shelley dedicated Frankensten
- 16. Walton's sister name
- 21. a feeling similar to horror
- 23. a giant in Greek mythology
- 26. the century in which the Gothic gained popularity
- 27. surname of the writer of Frankenstein
- 28. a creature Frankenstein made thanks to the electricity and chemistry
