Kandinsky

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Across
  1. 3. His nonrepresentational paintings paved the way for the development of which art movement?_______ expressionism.
  2. 5. What was his first artistic base from which he made his fateful leap into abstraction....__________ painting.
  3. 8. "Colour is the key. The eye is the hammer. The soul is the piano with its many chords. The artist is the hand that, by touching this or that key, sets the soul ______automatically."
  4. 10. Kandinsky aspired to an art that spoke without reference to _______ .
  5. 11. What art movement did Kandinsky belong to?
  6. 13. What form of symbolism was Kandisnky most interested in?
  7. 15. What style did Kandinsky paint by?
  8. 17. Kandinsky was forced to leave Russia and his art was banned in 1921 due to his _________ ideals.
  9. 18. What movements influenced Kandinsky…. Expressionism and _________ ?
  10. 19. Kandinsky was in full support of non objective painting because he believed that total abstraction offered the possibility for profound _________ expression.
  11. 20. What was the name of the museum of Non objective painting, that showcased Kandinskys work?
Down
  1. 1. Kandinsky's idea of aesthetics were influenced by a Philospher, with the belief that the material world would soon end, that only a select band of souls would be left to communicate via 'thought forms', those colored auras spiritualists affect to perceive. What was This Philosophers name.... Madame____________?
  2. 2. In 1922 Kandinsky accepted a teaching position at which school of art and design?
  3. 4. What did Vassily Kandinsky call his spontaneous exercises in painting?
  4. 6. What age was Kandinsky when he started painting?
  5. 7. What did Kandinsky prefer to call his style of art?
  6. 9. He most frequently painted with oil on canvas and __________
  7. 12. Kandinsky had the capacity to see sound and hear colour, what was the name for this ability?
  8. 14. In 1911, he established a group called Blue ______ in which, according to the artist, "the accent was made on revealing associative properties of color, line and composition.
  9. 16. What was Kandinskys last painting called?