Across
- 2. Light coming from upstage, behind scenery or actors, to sculpt and separate them from the background.
- 8. The angle of the cone of light produced by a lantern.
- 10. The main control for the stage lighting.
- 11. a powerful profile lantern usually fitted with its own dimmer, iris, colour magazine and shutters mounted in or above the auditorium, used with an operator so that the light beam can be moved around the stage to follow an actor.
- 12. An accidentally unlit portion of the stage
- 15. or a “cyc” for short, is a large cloth backdrop used on a stage. It’s typically concave, stretching in an arc from one side of the stage to the other. You can use lighting equipment to project light or images onto it
- 17. the process of dispersing light to soften it.
- 18. A lighting cover over the whole stage
- 19. also called a color filter, is what lighting professionals use to change the color of a beam of light.
Down
- 1. Lighting on a particular item or area on stage, to make it stand out or for aesthetic reasons, rather than to light an actor or functional area.
- 3. the term lighting professionals use to describe a stage light’s level of brightness.
- 4. A measure of the 'warmth' or 'coolness' of light sources and colours.
- 5. A slow dimming of the lights, ending in blackout.
- 6. A thin metal plate etched to produce a design which can then be projected by a profile spotlight.
- 7. Complete absence of stage lighting. Blue working lights backstage should remain on.
- 9. General term for unit of lighting equipment including spotlight, flood etc
- 11. A type of lantern which produces an even, soft-edged beam of light through a lens with a collection of circles (like a bullseye)
- 13. Strand Lekolite 8 x 13A profile lantern with an elliptical reflector and at least one lens.
- 14. A document that shows where each light is placed and focused
- 16. The command given to technical departments to carry out a particular operation.