Lighting Theory

3. The hues on the visible light spectrum (using gels or LED lights).
4. Same as side light, but at a 45 degree angle above the actor; can be used to create a “shaft of light from the heavens”
5. The way lighting affects how 3-dimensional the actors and objects look onstage. (Flat vs 3D)
8. Comes from 45 degrees above and behind the actor; can help provide dimension from the background or create a silhouette (keep the identity of the character secret).
9. Light Comes directly from the actor’s left or right at the level of their body; often used for dance.
10. The picture you “paint” with lighting.
12. Lighting supports the script, action, costumes, scenery, etc
14. Comes from below the actor on the front of the stage; creates very dramatic shadows behind the actor. We used the LED strip lights in the percussion concert in this position.
16. Where the light is coming from and going to.

1. Light helps to establish the feeling of the play; color and the use of shadow help with this.
2. Comes from directly above the actor; creates shadow on the actor’s face and makes eyes appear sunken in.
6. How bright or dim a light is; uses a percentage from 0 to 100%.
7. Any change in the other controllable qualities of light (shifting from one look to another).
11. Light is cast on only a small portion of the stage to direct the audience’s focus.
13. Using shutters and gobos to form the light and shadows.
15. Comes from in front of the actor at a 45 degree angle; realistic lighting.