Across
- 3. Originated around the mid-16th century and is the principal enemy of a character in a work of fiction, often described as the hero's worst enemy.
- 6. A character, group of characters, or a phenomenon that represents the opposition against which the protegonist must contend.
- 11. A character through whose perspcctive the story is seen. (like Watson in stories about Sherlock Holmes)
- 12. The second most important character. after the protagonist and before the tritagonist.
- 13. Does not experience a basic character change during the course of the story.
- 14. Is the one that has been thoroughly characterised, with many traits shown in the narrative.
- 15. The character on whom the audience is to place the majority of their interest and attention.
- 16. Are often stock types which have been developed and individualized, such as Hamlet.
Down
- 1. The main character (the central or primary personal figure) of a literary narrative, around whom the events of the narrative's plot revolve.
- 2. Grows and changes in a significant way throughout the course of the story.
- 4. In Greek mythology and folklore, was originally a demigod. Later, came to refer to characters who, in the face of danger and adversity or from a position of weakness, display courage and the will for self-sacrifice that is, heroism.
- 5. Is considered flat or stereotypical.
- 7. A character who possesses expected traits of a rather than being an individual.
- 8. Are types of character which have become conventional in particular genres through repeated use.
- 9. Generally considered to be a protagonist whose character is at least in some regards conspicuously contrary to that of the archetypal hero.
- 10. The person who conveys the story to the audience.