Across
- 2. original music written specifically to accompany a film
- 4. vertical movement of the camera
- 7. the concept that much of what happens in the making of a movie is hidden to the viewer as they watch it
- 8. the aspect of composition that takes into account everything that moves on the screen
- 9. a cinematic structure in which content is selected and arranged in a cause-and-effect sequence of events occurring over time
- 10. actual physical relationships among figures and settings
- 11. a direct change from one shot to another; that is, the precise point at which shot A ends and shot B begins
- 14. cinematic space that exists outside the frame
- 16. the process by which the look of the settings, props, lighting, and actors is determined
- 19. a shot in which two characters appear; ordinarily a medium shot or medium long shot
- 21. the time and space in which a story takes place
- 22. the color and textures of the interior decoration, furniture, draperies, and curtains of a set
- 24. the process by which the editor combines and coordinates individual shots into a cinematic whole; the basic creative force of cinema
- 25. the actual joining together of two shots
Down
- 1. dissecting the directorial, cinematographic, editorial, and other techniques in a movie to uncover its meaning
- 3. a movement of the camera that adjusts or alters the composition or point of view of a shot
- 5. movement of the camera toward or away from any subject, thereby increasing/decreasing its significance in the frame
- 6. a fragment of reality created as the setting for a particular shot in a movie
- 7. the use of deep gradations and subtle variations of lights and darks within an image
- 12. a shared, public idea, such as a metaphor, an adage, a myth, or a familiar conflict or personality type
- 13. the organization, distribution, balance, and general relationship of stationary objects andfigures within the frame
- 15. horizontal movement of the camera
- 17. one uninterrupted run of the camera
- 18. the categorization of narrative films by form, content, or both
- 20. the overall look and feel of a movie; the sum of everything the audience sees, hears, and experiences while viewing it
- 23. an omission of time between one shot and another that creates dramatic or comedic impact
