Brandenburg

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Across
  1. 5. A lively dance of the Baroque period that this piece has a similiar feel of
  2. 6. Use of relative cadences
  3. 7. Orchestration of the piece formed by a concertino, ripieno and a continuo
  4. 8. Repeated note on B in the bass in the second section
Down
  1. 1. Overlapping subjects in a fugue
  2. 2. Structure of the piece
  3. 3. Stays in a conventional key
  4. 4. Features of the harpsichord melody at 114 where a series of note patterns are repeated
  5. 6. Textures seen in this piece where one instrument begins with a subject that is then repeated by others