Music Terminology final

2. a recurring theme or character trait that serves as the structural foundation of the work,
5. directly quoting another work in a new composition.
7. without instrumental accompaniment; sung without instrumental accompaniment.
9. Musical texture made up of a single unaccompanied melodic line.
10. A compositional technique in which basic material is an ordered arrangement.
12. are intended for performance by a professional accompanied by a piano or instrumental ensemble.
13. the setting, either polyphonic or in plainchant, of the liturgy of the Eucharist.
15. a combination of musical tones sounded together each of which is a scale degree apart from one or two neighboring tones in the groups.
17. a continuous slide upward or downward between two notes.
20. a self-contained piece for solo voice, usually accompanied by orchestra.
21. the part of a movement, especially in sonata form, in which the principal themes are first presented.
23. a continually repeated musical phrase or rhythm.
24. a short musical passage in two or more phrases used for singing unmetrical words; a psalm or canticle sung to such music
25. The temporary disregarding of strict tempo to allow an expressive quickening or slackening, usually without altering the overall pace.

1. music that is intended to evoke images or convey the impression of events
3. To discuss and resolve the conflicts of tonality and theme that the exposition has raised.
4. a type of composition in three sections in which two themes or subjects are explored according to set key relationships.
6. a musical depiction of words in text
8. A genre of music in which the rhythms, melodies, or instrumentation are designed to evoke the atmosphere of far-off lands or ancient times.
11. A musical genre for voices that set mostly secular poetry in two epochs.
14. a short instrumental refrain or interlude in a vocal work
16. musical declamation of the kind usual in the narrative and dialogue parts of opera and oratorio, sung in the rhythm of ordinary speech with many words on the same note.
18. the absence of functional harmony as a primary structural element.
19. unconventional, unorthodox, or nontraditional methods of singing or of playing musical instruments employed to obtain unusual sounds or timbres.
22. Marks the end of the main argument and the beginning of the final synthesis for which that argument has prepared the listeners.