Music Theory 2

123456789101112131415161718192021222324252627282930313233
Across
  1. 1. – Assignment of musical material to instruments
  2. 4. – Interval spanning three whole tones
  3. 5. – Overlapping subject entries
  4. 7. – Recurring thematic idea associated with meaning
  5. 9. – Using pitches outside the diatonic scale
  6. 13. – Fugal answer preserving exact intervals
  7. 14. – Catalogue system for Mozart
  8. 16. – Interval larger than major or perfect
  9. 17. – Flexible tempo
  10. 18. – Technical study
  11. 19. – 19th-century emphasis on expression
  12. 23. – Quality of minor or major intervals
  13. 24. – Suspension resolving upward
  14. 25. – Diagram showing key relationships
  15. 27. – Rhythmic effect implying two beats in triple meter
  16. 28. – Unaccented pickup notes before the first downbeat
  17. 29. – Having equal rhythmic values
  18. 31. – Published work number
  19. 32. – Mode with lowered second scale degree
  20. 33. – Pattern repeated at a different pitch level
Down
  1. 2. – Gradual pedagogical approach to counterpoint
  2. 3. – Lowered second scale degree chord
  3. 5. – Exposition–development–recapitulation structure
  4. 6. – Baroque shorthand for harmony
  5. 8. – Change of tonal center
  6. 10. – Minor mode with raised sixth
  7. 11. – Given melody in species counterpoint
  8. 12. – Beethoven’s preferred title language
  9. 15. – Recurring secondary theme in fugue
  10. 20. – Medieval rhythmic notation system
  11. 21. – Virtuosic solo passage
  12. 22. – Instrumental music with narrative intent
  13. 26. – Lowest standard woodwind
  14. 30. – Prepares the dominant