Across
- 3. “Tout est ___, tout est joie” (Ravel).
- 5. Prolific Franco-Flemish composer of motets, masses, and chansons.
- 9. “Laudamus te, ___ te” (Gloria).
- 11. Seal ___: Eric Whitacre’s setting of a Kipling poem.
- 12. American composer of Te Deum and I Hate and I Love.
- 14. Gradually slowing down and broadening in tempo and tone.
- 15. “Freude, schöner ___” (Beethoven).
- 19. “Dona nobis ___”
- 20. Gradually getting faster.
- 22. The transition area between vocal registers.
- 23. Fading in both sound and tempo—“dying away.”
- 24. The most comfortable and used vocal range in a piece.
Down
- 1. Ornamental and agile vocal style, often for sopranos.
- 2. Sure on This ___ Night: A luminous Lauridsen setting of James Agee.
- 4. Ideal vocal tone balancing brightness and darkness.
- 6. Polish composer of Stabat Mater and Litany to the Virgin Mary.
- 7. “Kyrie ___”
- 8. O Magnum ___: Victoria and others set this Latin Christmas text.
- 10. A sudden, forceful accent on a single note or chord.
- 13. L’homme ___: A secular melody used in over 40 Renaissance mass settings.
- 15. Renaissance composer infamous for madrigals and murder.
- 16. Austrian Romantic composer Anton, known for motets and masses.
- 17. String technique involving plucking instead of bowing.
- 18. A ___ of Carols: A Britten work combining Christmas texts and harp.
- 21. Italian term for supported breath technique, literally “to lean.”
