MUS/SPA 355 Quiz 2 Review

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Across
  1. 2. A dance of Afro-Colombian origin, popularized in Mexico since the 1960s and often played by both conjuntos and bandas
  2. 3. A dance in triple meter of central European origin, which became the most popular ballroom dance of the 19th century; one of the primary genres played by conjuntos
  3. 5. A corrido relating to the drug traffic; while controversial and often banned, they are extremely popular on both sides of the border
  4. 11. Mexican singer and actress, known in the 1940s as the mother of ranchera
  5. 12. Most popular and influential banda group, founded in 1937 by Cruz Lizarraga but still active today
  6. 13. The last stanza of a corrido or other folk song, in which the singer says farewell to its audience and closes the narration
  7. 15. Conjunto norteño known for their romantic music, dance music as well as narcocorridos; their lyrics often use code words to refer to drug lore, such as in “Mis tres animales”
  8. 16. Los _____, Conjunto norteño who helped define modern norteño instrumental style and used corrido form to deal with social issues
  9. 19. __________ of Mexican film: the period from 1935 to 1969, during which the Mexican film industry promoted mariachi and canción ranchera as symbols of Mexican identity
  10. 22. Mexican-American singer, known as “La Diva de la Banda”, who became successful in the male-dominated banda and narcocorrido scene until her death in a plane crash in 2012
  11. 24. Los_____, Conjunto norteño known in the 1960s for their rich two-part vocal harmonies
  12. 25. Guitar-like instrument with twelve strings, that provides accompaniment to the accordion in conjunto music
  13. 26. Mexican singer and songwriter who wrote many narcocorridos on commission, cultivated a bandit persona and reached fame after being assassinated while on tour in his home state of Sinaloa in 1992; he sparked a revival in the corrido genre
  14. 27. __________ de Durango: One of the leading ensembles of pasito duranguense, as seen in their song “Camino a Tepehuanes”
  15. 28. A lyrical epic and narrative song form, stemming from the literary tradition of the Spanish romance, that rose to popularity with the Revolution of 1910 as a means for sharing current events
  16. 29. __________ duranguense: A form of tecnobanda originating among Mexican immigrants in Chicago, featuring very fast tempos
Down
  1. 1. Música _________: Mexican popular music style of folk origin, from the region of Western Mexico, including the musics played by mariachis
  2. 2. An ensemble common on both sides of the U.S.-Mexico border, centered around the accordion and bajo sexto
  3. 4. Música _________: Mexican popular music style of folk origin, from the region of Northern Mexico, including the music played by conjunto and banda
  4. 6. Mexican singer, known as “El Gallo de Oro”, who won fame posthumously after being assassinated in Reynosa in 2006
  5. 7. Mexican singer whose dark voice and dramatic, expressive style made her the most influential female singer of ranchera
  6. 8. A portable free-reed instrument with buttons or keys on either side of a bellows; it is one of the two main instruments in conjunto music
  7. 9. Percussion instrument consisting of a double-headed bass drum with cymbals; a vital component of banda music
  8. 10. Known as “El Charro Cantor,” Mexican opera singer who defined ranchera singing style
  9. 14. Mexican accordionist, singer and bandleader who is the foremost figure in norteño music in the Gulf coast and Texas borderlands
  10. 17. Mexican singer and actor whose films popularized ranchera music and who became an icon of the urban working class
  11. 18. A dance in duple meter of central European origin; one of the primary genres played by conjuntos
  12. 20. Mexican singer and songwriter who primarily wrote narcocorridos, many of them made famous by Los Tigres del Norte
  13. 21. Banda subgenre in which electric and electronic instruments substitute some of the traditional banda instruments
  14. 23. Term usually referring specifically to a Sinaloa ensemble consisting of brass, woodwinds, percussions and tambora, influential in música norteña