Opera Scenario 1

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Across
  1. 4. usually a short, romantic, comic opera includes songs and dancing.
  2. 6. a cheer of approval for male opera singers.
  3. 10. a speech like, declamatory vocal style that is used in the conversational passages in an opera.
  4. 13. any kind of music inserted between the verses of a song, also, music between the scenes of a play or an opera.
  5. 14. the highest female voice whose range falls between middle c and a c above the staff.
  6. 16. the lowest of the male voices which is usually not developed until after the age of 16 or 17. The range of a bass is from a d below the staff on the bass clef to a c above the staff on the bass clef.
  7. 17. a theatrical production combining drama, vocal and orchestral music, costumes, scenery and sometimes dance. A musical also contains spoken dialogue within the production.
  8. 18. Music music composed around a certain idea or thought or to represent something either physical, emotional, or spiritual.
  9. 19. the part of an opera sung by a large group.
  10. 22. an instrumental piece played between the acts of an opera.
  11. 23. a song written for two voices.
  12. 24. a musical drama for voices and orchestra, usually based on a religious narrative; usually performed without scenery or action.
  13. 26. the highest male voice whose range is from an e on the first line of the staff to a g above the staff on the treble clef. An important note is that the tenor voice sounds an octave lower than it is written.
  14. 27. a cheer of approval for female opera singers.
Down
  1. 1. the story around which the musical or opera is based.
  2. 2. a song for solo voice, often designed to show off a singer’s vocal ability.
  3. 3. a soprano who has been specially trained to sing rapid passages, trills and difficult runs
  4. 4. an instrumental introduction to an opera, an oratorio, or other stage work; the term is sometimes given to an independent orchestral composition. A good overture is made up of several contrasts such as loud – soft, slow – fast, etc. The purpose of an overture in an opera or musical is to set the mood for the audience to prepare them for the production.
  5. 5. the lowest female voice whose range is from an a below the staff to an e on the fourth space of the staff.
  6. 7. what the conductor of the orchestra uses to lead an opera or musical. The score contains both the music and the vocal parts.
  7. 8. Italian meaning to make notes short, detached and separated.
  8. 9. the female voice which is between that of an alto and a soprano and whose range is from middle c to a g above the staff.
  9. 11. a theatrical production combining drama, vocal and orchestral music, costumes, scenery, and sometimes, dance.
  10. 12. Italian meaning realism or the idea of taking events from real life and using those ideas to make an opera or drama.
  11. 15. the text of an opera; from the Italian word meaning “little book.”
  12. 20. an instrumental introduction to a musical drama, usually shorter than an overture; also, a short, independent composition.
  13. 21. the male voice is between the tenor and the bass voices. The range is from a b on the second line of the bass clef to a d above the staff on the bass clef.
  14. 25. a lively, upbeat song that is generally used to open a musical. It is performed after the overture and usually features most of the musical cast and is considered a big production number.