Pantomime

2. The emotion conveyed when eyes squint, brows lift, and mouth curves upward.
6. The turning or pivoting of a part of the body, such as the head or the chest.
8. The body part where most movements begin.
9. The bending of the body to the front, to the side, or to the rear.
11. A mime device that uses inclination, rotation, and isolations in one exercise.
12. action A movement opposite to the action that the mime wants the audience to follow.
14. A term for the firmness or solidity of an object in opposition to outside force.
15. The art of imitating real-life actions without using words.
17. The emotion conveyed when eyes narrow, brows furrow, and jaws sets firmly.
18. Hand and arm movements and facial expressions that help express an idea or an emotion.
20. To move from one place to another onstage.
21. communication The general term for expressing ideas and emotions without using words; the essence of pantomime and mime.
22. The art form that does not precisely imitate real-life physical action but gives an illusion of that action.

1. The body parts where all arm movements must end.
3. The emotion conveyed when eyes widen, brows lift, and mouth forms the shape of an O.
4. The emotion conveyed when eyes narrow, outer brows and mouth turn downward, and facial muscles sag.
5. The separation of parts of the body for individual development and expression.
7. walk A basic mime convention; the mime uses exaggeration movement to appear to be walking.
10. Marceau The Frenchman who is one of the best-known mimes in history.
11. Chaplin A silent film star who was the master of pantomime.
13. A combination of inner composure, mental awareness, and physical flexibility; the act of letting go all over.
16. The neuromuscular awareness that you feel when your body is in a particular position.
19. One of the body parts most mimes emphasize with makeup.
20. The setting up of an action with definite hand movements; for example, the snap of a mime's hand around a glass.