Across
- 2. , The angles used by the illustrator to lead the responder's eye across and around the images on the page to lead the eye from one image to another
- 3. , creating the setting and atmosphere the author wants the reader to experience.
- 5. , body language conveys a non verbal action
- 7. , Comparing "before" and "after". Changes in perspective, point of view, and colour and saturation style can be made to evoke comparisons.
- 10. , Describes the size of a object
- 13. , its width greater than its height. It offers a panoramic view that is particularly well-suited to visual content.
- 16. ,The way a character looks with their eyes and face
- 17. ,What is included is deliberately placed
- 18. of thirds , Divide an image into thirds from the top and sides and look at the placement of people and/or objects. An object in the top third is usually empowered whereas anything in the bottom third is disempowered.
- 19. , The foreground is the section closest to the camera
Down
- 1. , characterised by a book that is taller than it is wide.
- 4. , the point that is equally distant from every point on the circumference of a circle or sphere.
- 6. , The same camera shots and angles relevant to film. Close ups, extreme close ups, medium shots, long shots, tilted up or down shots etc.
- 7. , the property possessed by an object of producing different sensations on the eye
- 8. , Saturation refers to the degree of purity in a hue
- 9. , the dominant colour family
- 11. , The part that your eyes are first drawn to in the visual.
- 12. , the part of a picture, scene, or design that forms a setting for the main figures or objects, or appears furthest from the viewer.
- 14. , Consider which objects have been placed in the foreground, middle ground or background.
- 15. ,The organisation of the elements on the page