Across
- 2. The speaker or author's attitude toward the subject, audience, or situation as conveyed through language and choices.
- 7. An appeal designed to evoke an audience's emotions or feelings.
- 10. When a person, object, image, or action represents an idea beyond its literal meaning.
- 13. Deliberate and extreme exaggeration used for emphasis or effect.
- 15. An indirect reference to a well-known person, event, text, place, or idea.
- 16. An appeal based on logic, reasoning, facts, or evidence.
- 17. A brief story or personal experience used to illustrate an idea or make a point.
- 18. A deliberate contrast between opposing ideas, often expressed through balanced or parallel structure.
- 19. The deliberate reuse of a word, phrase, sound, or idea to emphasize it.
- 20. Overall, a contrast between what is expected and what actually occurs, or between what is said and what is meant; there are three types.
- 21. An author's deliberate choice of words and the effects those choices create; there are specific types (we covered 8).
Down
- 1. A deliberate presentation of something as less important, serious, or significant than it actually is.
- 3. Like simile and metaphor, a comparison between two situations or ideas used to explain, clarify, or illustrate a point.
- 4. The use of similar grammatical structures to create balance, rhythm, or emphasis.
- 5. Giving human qualities, emotions, or actions to something nonhuman.
- 6. An appeal to the speaker's credibility, character, expertise, or trustworthiness.
- 8. The placement of contrasting ideas, images, or elements near one another to emphasize their differences.
- 9. A comparison between two unlike things using like or as.
- 11. A direct comparison in which one thing is described as or equated with another unlike thing.
- 12. A question posed for effect rather than to receive an actual answer.
- 14. Descriptive language that creates a sensory experience or vivid mental picture for the reader.
- 18. The repetition of beginning consonant sounds in nearby words.
