Across
- 4. Clay is ready for kiln; unworkable.
- 5. Clay has the most water; most workable stage.
- 7. An object with three demensions (LxWxD).
- 9. A single material used in an art piece.
- 12. Taking a liquid and pouring it into a mold and "popping" it out to create a sculpture.
- 14. Taking random objects and putting them together to create a sculpture.
- 15. The visual sensation using light and pigment.
- 17. The repetition of art elements 3 or more times.
- 18. To force air bubbles out of clay while kneading the clay to distribute water evenly.
- 21. An enclosed line.
- 22. The area above, below, around, and within an object.
- 24. Clay has lost water; less workable.
- 25. The visual movementof an object by changing it's proprtion or location.
- 26. When all the art elements work together in a piece.
- 28. Using a workable material to create a sculpture.
- 29. A sculpture that can be veiwed from all sides.
- 30. A large oven-like decive that causes a chemical reaction in clay, changing it's properties.
Down
- 1. A layer of material applies to bisqueware and fired, ceramic piece.
- 2. Taking away from the surface to create a sculpture.
- 3. The layering of ropes of clay and joining them together using slipping and scoring.
- 6. Clay that has not been fired.
- 8. apply glaze and fire it again.
- 10. The lightness or darkness of a color (tints and shades).
- 11. The difference between art elements in a piece.
- 13. The way something feels or appears to feel.
- 16. The size or the real subject matter in relation to the piece.
- 19. When art element(s) are used to draw the veiwer's gaze to a focal point.
- 20. The visual stability within a piece.
- 23. Clay that has been fired once in a kiln.
- 27. A continuous point through space.
- 28. Using art elements to "draw" a veiwers gaze across the peice.