Studio in Art

2. The area between the foreground and background in a composition.
7. The relationship in size between different elements in a work of art.
8. The use of the same or similar elements in a design to create consistency or rhythm.
9. The part of the composition that appears closest to the viewer.
13. The difference between elements in an artwork to create interest or tension.
14. Colors such as black, white, and gray, which do not appear on the color wheel.
16. The actual tactile surface quality of an object or artwork.
18. A pure color, without tint or shade.
19. The colors red, yellow, and blue, from which all other colors are mixed.
21. The part of the design that draws the viewer's attention, often through contrast or placement.
22. The distribution of visual weight in a composition, either symmetrically or asymmetrically.
24. The illusion of texture in an artwork, created through the use of techniques and materials.

1. The colors orange, green, and purple, created by mixing two primary colors.
3. A painting technique involving short, quick strokes to apply small amounts of paint.
4. A technique used to create the illusion of depth by changing colors and clarity as they recede into space.
5. The sense of harmony or cohesiveness in a composition, where all parts work together.
6. The inclusion of different elements to create visual interest and prevent monotony.
7. Lines that are always the same distance apart and never meet.
10. The part of a composition that appears farthest away from the viewer.
11. The smaller elements or intricacies in an artwork that contribute to its overall composition.
12. Lines that intersect at a 90-degree angle.
15. A 19th-century art movement that emphasized capturing light and color with loose brushstrokes and visible marks.
17. Colors that are opposite each other on the color wheel, which create contrast when used together.
20. The lightness or darkness of a color.
23. A technique used to smoothly transition between colors or values in an artwork.