Across
- 1. gave precedence to feeling and imagination over Enlightenment, explored the exotic, erotic, and fantastic in art.
- 5. nonrepresentational style. used simple forms.
- 7. immediacy and boldness, artists as fauves (wild beasts).
- 11. developed as an artistic movement in mid-19th-century France, Gustave Courbet-leading proponent
- 12. Introduced compression of movement, depicted moving figures and machines at multiple moments of time all in one image.
- 15. revival of interest in Greece and Rome, incorporated the subjects and styles of ancient art.
- 16. wrenching distortions of form, ragged outline, and agitated brush strokes. savagely powerful, emotional canvases
Down
- 2. moved art toward abstraction, flat surface with little or no perspective. allows you to see a physical object from multiple viewpoints simultaneously.
- 3. boxed up Abstract expressionism. Instead of splattering colors over the canvases they painted one color or a few colors in clearly defined rectangles.
- 4. captures fleeting moments & transient effects of light and climate. focused on recording the contemporary urban scene in Paris. spontaneous brush strokes.
- 6. abstract but express the artist’s state of mind, works convey a rough spontaneity and palpable energy.
- 8. chance should play a role in art. used chance as a tool to probe the unconscious.
- 9. impressionism not a unified style.
- 10. means “the supremacy of pure feeling in art.”
- 13. wanted to regress to the playfulness of childhood. the movement was designed to be misunderstood.
- 14. blurred the cultural divide between the classes. The Pop Art movement began in England.