Across
- 1. LIGHT STRIKING A SUBJECT FROM THE DIRECTION OPPOSITE TO THE CAMERA. GENERALLY USED TO HIGHLIGHT THE SUBJECT AND SET IT APART FROM THE BACKGROUND.
- 4. DIRECTING A DRAMA IN THE STUDIO IS VERY DIFFERENT TO DIRECTING A REALITY TV SHOW IN THE FIELD, OR A SPORTING EVENT IN AN OUTSIDE BROADCAST.
- 6. TO CAUSE A SHARP IMAGE FROM A LENS TO BE PROJECTED ONTO THE LOCAL PLANE (IN THE CASE OF A CAMERA) OR ONTO A SCREEN (IN THE CASE OF A PROJECTOR).
- 8. TO CHANGE THE FOCAL LENGTH OF A ZOOM LENS.
- 10. AN ELECTRONIC DEVICE FOR COMBINING THE OUTPUTS OF SEVERAL SOUND SOURCES.
- 11. THIS PERSON CAN BE IN CHARGE OF EVERYTHING FROM THE PROGRAMME'S INCEPTION TO POST-PRODUCTION.
Down
- 2. THE DIFFERENCE IN ILLUMINATION BETWEEN THE BRIGHTEST AND DARKEST PARTS OF A SCENE OR PICTURE
- 3. A SPECIAL LIGHT-WEIGHT LENS USED IN FOCUSING BEAMS OF LIGHT. ORIGINALLY USED IN LIGHTHOUSES, NOW ALSO USED IN HIGH-QUALITY STUDIO AND THEATRICAL LIGHTS.
- 5. A THREE-PIN CONNECTOR USED WITH BALANCED AUDIO LINES FOR LINE AND MIC LEVEL AUDIO SIGNALS. ALSO KNOWN AS XL OR XLR.
- 7. A SEAMLESS BACKGROUND, BLENDING INTO THE FLOOR, USED TO ELIMINATE ANY BACKGROUND DETAIL FROM A SET.
- 9. OPENING IN CAMERA LENS CONTROLLING AND ALLOWING LIGHT TO PASS THROUGH.