The Ultimate Trip

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Across
  1. 1. The heuristic computer whose "eye" was composed of a Nikon Nikkor 8mm f/8 lens.
  2. 2. Paul Renner’s 1927 geometric typeface, used exclusively by Kubrick for the film’s signage and marketing.
  3. 4. The brand of the "Grip Pen" that floats in zero-gravity during the shuttle sequence.
  4. 7. The "One," a spacecraft with a 700-foot spine and a spherical command module, largely designed by former NASA engineer Harry Lange.
  5. 10. The corporate logo visible on the zero-gravity toilet instructions (a defunct airline).
  6. 11. American watchmaker commissioned to create the custom digital wristwatches (the X-01) seen in the film.
  7. 12. The "Sphere" or "Command Module" interior was a massive, rotating set piece known as a _____.
  8. 13. The distinct lack of this audio element in the space sequences, adhering to the laws of physics and enhancing the visual isolation.
  9. 15. The specific cutlery design by Arne Jacobsen used by the astronauts during meal times.
  10. 16. Douglas Trumbull’s "scan" technique used to create the psychedelic streaks of the Star Gate sequence.
  11. 19. The specific model of "jersey-covered" foam seating by Olivier Mourgue found in the Space Station V Hilton lobby.
Down
  1. 1. Savile Row tailor who broke tradition to design the film's tweed suits and Pan Am stewardess uniforms.
  2. 3. The distinct color of the space suit worn by Dr. Dave Bowman.
  3. 5. The device referred to as a "Newspad" in the film, which eerily predicted the form factor of the modern iPad.
  4. 6. The minimalist, menacing object that serves as the film’s primary visual motif for extraterrestrial intelligence.
  5. 8. Finnish-American architect whose single-leg "Pedestal" tables are bolted to the floor of the Discovery One mess hall.
  6. 9. The dimensional ratio of the alien slab (1:4:9), representing the squares of the first three what?
  7. 14. In the "Dawn of Man" sequence, this cinematic transition (a bone turning into a satellite) is cited as one of history’s greatest examples of a _____ cut.
  8. 17. The architectural style of the "Hotel Room" at the end of the universe—a sterile, glowing mix of Neoclassical and Modern.
  9. 18. The dominant color of the "Djinn" chairs against the white sterility of the space station.