Across
- 2. THE PROCESS OF ADDING TECHNICAL ELEMENTS TO A PRODUCTION
- 6. AREA OF STAGE THAT EXTENDS BEYOND THE PROSCENIUM
- 8. HORIZONTAL CURTAINS THAT HANG ABOVE THE STAGE
- 10. WHERE ACTORS CHANGE/PREPARE COSTUMES AND MAKEUP
- 13. THE CLARITY OF AN ACTOR'S SPEECH
- 15. NEEDED FOR A SHOW
- 17. PLANNED MOVEMENT OF AN ACTOR
- 18. TECHNICAL ELEMENT OF THEATER / VISUAL
- 21. PERSON RESPONSIBLE FOR THE MANAGEMENT OF BACKSTAGE
- 22. WHITE FABRIC USED UPSTAGE FOR LIGHTING AND PROJECTIONS
- 23. CLOTHING WORN TO CREATE A CHARACTER
- 24. WHO VIEWS A PERFORMANCE
- 26. SHAKESPEARE'S FAMOUS THEATER IN ENGLAND
- 27. THE ART OF AN ACTOR CREATING A CHARACTER
- 28. WALL UNIT IN A THEATER PRODUCTION
- 29. THE FIRST ACTOR WHO STEPPED BEYOND THE GREEK CHORUS
- 31. THE HIGHS AND LOWS OF AN ACTOR'S SPEECH
- 32. WHAT AN ACTOR SHOULD ALWAYS HAVE AT REHEARSAL
- 34. PHYSICAL ACTIONS USED TO CREATE A CHARACTER
- 35. A ROLLING STAGE UNIT
Down
- 1. USED IN EARLY THEATER FOR FACIAL EXPRESSIONS: COMEDY AND TRAGEDY
- 3. PLANNED DANCE MOVEMENT FOR A PRODUCTION
- 4. TECHNICAL ELEMENT THAT ALLOWS ACTORS TO BE HEARD OR MUSIC
- 5. FIRST HISTORICAL GROUP OF THEATER PERFORMERS
- 7. HANDHELD ITEMS USED BY ACTORS TO TELL A STORY
- 9. A COLLECTIVE GROUP OF PERFORMERS WITH THE SAME GOAL
- 11. THE "FRAME" OF A STAGE
- 12. APPLIED TO AN ACTORS FACE TO CREATE A CHARACTER AND ENHANCE THE PERFORMANCE
- 14. THE FRONT CURTAIN OF A THEATER
- 16. AUTHOR'S INTENT FOR STAGE MOVEMENT AND CHARACTERIZATION
- 19. SIDE CURTAINS ON A STAGE
- 20. COLORED APPLIANCES ATTACHED TO LIGHTING TO CREATE COLOR AND MOOD
- 25. RAISED PERFORMANCE AREA
- 30. A WRITTEN WORK MEANT TO BE PERFORMED
- 33. SIDE AREAS OF A STAGE