Across
- 2. (form) ABA (statement, contrast, return)
- 3. (form) counterpoint to the theme, used consistently with the repetition of the theme
- 11. (form) typically consists of two phrases in an antecedent-consequent relationship
- 12. (form) as a section, it's harmonically "closed" ends in auth. cad. in home key; is structured as a period or simple form (simple binary, ternary, rounded binary)
- 13. (form) both phrases begin with similar/identical material, even if embellished
- 14. (form) replays mvmt's most important themes, mod. to secondary key removed, resolves tonal conflict
- 16. "progressive" cadence; ends with a V chord
- 19. (theme, section) passages between A & B or A & C which modulates
- 20. IV-I cadence
- 24. (form) modulating passage between B & A or C & A of a ternary form
- 25. (form) the repetition of a melodic unit (motive, phrase, etc.) or a harmonic progression at one or more diff. pitch lvls
- 27. (form) first part of binary ends w/ smth other than a tonic triad in the main key of the form
- 28. (form) form which refrain (A) is heard at least 3 times, alternating with episodes
- 30. (form) a relatively independent musical idea terminated by a cadence
- 32. (form) presents the important themes and tonal conflict between the two most important keys in the mvmt. in invention: first section of the invention, establishing theme and home key
- 33. (theme, section) (form) further confirms prevailing key with simple sequential and cadential gestures
- 34. (form) short passage connecting A & S in expo of fugue
- 37. (form) immediate reinstatement of a motive, subject, or melodic fragment in a diff. voice at the same or diff. pitch lvl. can be embedded in a sequence. can be real or tonal
- 38. (form) # of measures in first and second part of binary are equal
Down
- 1. (form) reinstatement of a two voice fragment with a voice exchange or textural switch at an interval of octave twelfth tenth
- 4. (form) the first part ends w/ tonic harmony
- 5. (form) a distinct portion of a phrase; not a phrase b/c too short or doesn't end w/ cadence
- 6. (form) 1 phrase in length; characterized by the immediate repetition or variation of a musical idea followed by motion towards a cadence
- 7. iv6-V cadence in minor
- 8. (cadence) A tonic triad preceded by some form of V or vii
- 9. (form) 1/2 of A comes back
- 10. (form) a ternary piece in which at least one of its part can be subdivided into two or more parts
- 15. (form) # of measures in first and second part of binary aren't equal
- 17. (form) strict imitation which is sustained throughout a work or a selection of a work
- 18. ear expects V-I authentic cadence but hears V-(usually vi)
- 21. (form) may develop motives from expo's themes, feature sequential activity, or start new theme, develops tonal conflict, explores new keys
- 22. (form) two approx. equiv. sections, AB
- 23. (form) the smallest identifiable musical idea. Can consist of a pitch pattern, rhythmic pattern, or both
- 25. (form) the main musical idea opening the fugue
- 26. (form) a period in which the phrase beginnings aren't similar
- 29. (form) consists typically of four phrases in two pairs, the cadence at the end of the second pair being stronger than the cadence at the end of the first pair
- 31. (form) as a section, it's harmonically "open" and may or may not be structured as a period or simple form, always in diff. keys (except B' - I) closely related to tonic. in an invention: a passage that doesn't contain a complete entry of the theme/subject
- 35. (form) transitional passage connecting sections or phrases, doesn't modulate
- 36. (form) bach's set of two-voice pieces to help teach his eldest son