Theory Rocks

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Across
  1. 3. An alternate passage of music.
  2. 5. A diminutive coda.
  3. 7. What someone from the UK might call a quarter note.
  4. 11. iv, bVI, or iidim in a major key.
  5. 12. The "elemental" form upon which the Sonata Allegro is built.
  6. 16. Half way between the tonic and dominant.
  7. 18. Schoenberg explored this unusual vocal technique in Pierrot Lunaire.
  8. 20. Comes after the development section in a Sonata Allegro.
  9. 23. Another word for a diminished scale.
  10. 26. B7#11 for F7alt, for example (two words).
  11. 28. String players and brass players use them.
  12. 31. A type of continuous variation similar to a passacaglia.
  13. 33. A word that describes the function of N6 and Aug. 6th chords.
  14. 34. The sound source of an analog synthesizer.
  15. 36. Dr. Strauch would play one if he lived in the Renaissance.
  16. 37. French vocalists sing a lot of them.
  17. 39. V7-vi
  18. 40. Steve Reich, Steve Reich, Steve Reich, Steve Reich, Steve Reich
  19. 43. The interval that splits an octave
  20. 44. ABACA is one example.
  21. 45. Stacked fifths.
  22. 47. You will likely hear this mode if you go to a movie.
  23. 48. Bessie Smith is well known for singing it.
Down
  1. 1. The black notes on a piano.
  2. 2. A slow dance in triple time.
  3. 4. The seventh note of a Mixolydian scale, for example.
  4. 6. Ella Fitzgerald never "stepped in it" when she sang these solos.
  5. 8. A term often associated with the contrasting section of a popular song.
  6. 9. A structural function you are likely to find at the end of a composition.
  7. 10. A fancy word for a wonky violin tuning.
  8. 13. This augmented sixth chord only has three chord factors.
  9. 14. A nonharmonic that is preceded by a preparation and followed by a resolution.
  10. 15. V7/V (two words).
  11. 17. The first section of a Sonata Allegro movement.
  12. 19. A colloquial term for a custom synthetic sound.
  13. 21. When a string player or singer slides between notes.
  14. 22. This seventh chord can easily resolve to four tonal centers.
  15. 24. Another word that might be used to describe a secundal chord.
  16. 25. An eighth note to someone from London
  17. 27. Half way between the tonic and subdominant.
  18. 29. A common contrapuntal motion.
  19. 30. A “crazy” modality.
  20. 32. This augmented sixth chord contains two tritones.
  21. 35. You would expect to hear a subject and answer in one of these.
  22. 38. B/Bb, for example.
  23. 41. A vigorous or playful composition.
  24. 42. An elemental form with three sections.
  25. 46. IV-I
  26. 47. You might use this synthesizer component to make a siren.