Across
- 2. Any shot that is taken from the perspective of a character in a film; We, as the audience, see what he sees. AKA the eye-line shot.
- 6. A shot that includes the subject’s entire body and excludes almost everything else from the frame.
- 11. The camera is carried, approximating the actual jerky movement of human progression, by the camera operator; this shot suggests the subjective perspective of the individual.
- 12. Shot from above, usually made from a plane, helicopter, or crane.
- 13. A panning shot that moves from one scene to another so quickly that the intervening content is blurred.
- 14. A shot made by turning the camera up and down; It is, in effect, a panning shot which moves vertically.
- 15. Any pivotal movement of the camera around an imaginary vertical axis running through it; from “panorama.” Most commonly occur in a left-to-right movement.
- 16. A shot made with a variable-focus lens (one capable of focal lengths ranging from a wide angle to telephoto), often used to create optical motion without tracking the camera.
- 18. A shot which is taken in an upward direction, often with the camera mounted lower than four feet from the floor.
- 21. A shot which presents the figure from the knees up (or sometimes from the waist up) This is a commonly used shot which is often employed to show action.
- 22. A shot which shows only the heads and shoulders of the figures.
- 24. A shot that includes the whole figures of its subject and also includes a great deal of background.
- 25. a shot taken from a mobile crane device.
Down
- 1. A shot taken at a 180° angle from the preceding shot period two-party dialogue sequences are usually constructed of alternating reverse-angle shots.
- 3. A close-up shot which is more selective in which focuses on a nose, smile, etc. It is often used for symbolic purposes.
- 4. A shot, usually a long shot, that orients the audience in a film narrative providing visual information (such as location) for the scene that follows.
- 5. A shot that cuts away from the central action to show a character's reaction to it. A reaction shot maybe a close up to catch a look of surprise or fear, or a medium shot to show a person's body language.
- 7. A shot made from a considerable distance, sometimes as far as 1/4 of a mile. It provides a panoramic view of a location without camera movement.
- 8. The camera is at eye-level and on the same plane as the subject.
- 9. The central frame seems unbalanced in relation to space and action it is often used to suggest a subjective viewpoint, such as that of a person who is drunk, or to suggest a symbolic imbalance
- 10. A shot that uses miniatures instead of real locations, especially useful in disaster or science fiction films.
- 17. A single continuous shot made with a moving camera.
- 19. A shot taken from above the object which subordinates its significance.
- 20. A shot that is borrowed from a collection of standard, often-used shots, such as one of World War II combat or street crowds in New York City.
- 23. The camera circles around an individual or a group of people; faster motion would suggest panic or confusion while slower motion would suggest the encouragement of listening.