Across
- 4. the dark area that occurs on a surface as a result of something being placed between that surface and a light source
- 6. a surface that can be experienced through sense of touch (as opposed to a surface, visually stimulated by the artist)
- 8. a working arrangement between an artist and another person group or institution
- 10. the color as seen in the objective world (green grass, blue sky, red barn, and the like)
- 11. the manner and skill with which artist use their tools and materials to achieve an expressive effect
- 14. one views oneself how others perceive you, and how a society as a whole defines groups of people
- 15. that which is based as nearly impossible on physical actuality or optical perception. Such art tends to look natural or real.
- 17. the arrangement of elements in an artwork, according to the principal that foster unity. The total appearance or organization.
- 18. a sense of equilibrium achieved through implied weight, attention, or attraction, by manipulating the visual elements within an artwork
- 19. the arrangement or organization of values that control compositional movement, and create a unifying effect throughout a work of art
- 20. line, shape, value, texture, color - the basic ingredients the artist uses to produce imagery. Produces the visual language of art.
- 22. a technique of picture making in which real materials possessing actual textures are attached on the picture plane surface, often combining them with painted or drawn passages
Down
- 1. location, information, or timeframe that informs how a work of art is viewed and what it means. Of art often respond to a particular space or cultural climate.
- 2. possessing the dimensions of height and width, especially when considering the flat surface or picture plane
- 3. the realistic and natural representation of people, places, and or things in a work of art; the opposite of idealization
- 5. a point of view, or a place from which subject matter is viewed
- 7. the act of borrowing imagery, or forms to create something new
- 9. an artist investigation, or the steps the artist takes to make a work of art processes differ widely from artist to artist
- 12. the line that defines the outermost limits of an object or a drawn or painted shape. It indicates an edge also defined by extremities of darks, lights, textures, or colors
- 13. that which is derived from the mind, reflecting a personal viewpoint bias, or emotion. this type of color tends to be inventive or creative
- 16. the manifestation, through artistic form of thought, emotion, or quantity of meaning; synonymous with the term content
- 21. a measurable area of defined or occupied space