Across
- 7. all ACs that are not PACs, with also viio - I
- 11. shape of the melody
- 13. relatively independent musical idea terminated by a cadence
- 14. cadence anything to vi
- 16. a harmonic goal, specifically the chords used at the goal
- 19. IV to I
- 20. taking a melodic line and moving some of the notes into a different octave
- 22. 3rd and 5th of a root position triad are embellished by upper neighboring tones, bass is stationary, usually occurs on weak beat
- 23. 7 in bass
- 25. harmonizes a bass passing tone, usually on unaccented beat
- 29. period both phrases begin with similar material
- 30. accompanying melody sounding against the principle melody
- 31. V or viio to I
- 32. the ways in which composition is shaped
- 34. sequences are repeated, indicated by repeat sign, capo, or segno
- 35. division of a musical idea into segments
Down
- 1. rhythm rate at which chords change
- 2. I6/4 to V to I, precedes the dominant, often at a cadence, embellishes dominant
- 3. smallest identifiable musical idea, can consist of pitch pattern, rhythmic pattern, or both
- 4. ends in V
- 5. pattern that is repeated immediately in the same voice but that begins on a different pitch class
- 6. V(7) to I (with tonic in soprano)
- 8. series of roots related by descending 5ths (and/or ascending 4ths)
- 9. terminal phrase in a period, strong cadence (answer)
- 10. 3 in bass
- 12. melody flipped upside down
- 15. two or more phrases in antecedent-consequent relationship, ends in cadence
- 17. first phrase in a period, weaker cadence (question)
- 18. 5 in bass
- 21. created by arpeggiation of the triad in the bass
- 24. iv6 to V in minor
- 26. delay of cadence by addition of material
- 27. period in which phrase beginnings are not similar
- 28. 1 in bass
- 33. to write or play music in some key other than the original