Literary Theory

Edit Answers
12345678910111213141516171819202122232425262728293031323334353637383940414243444546474849505152535455565758596061626364656667686970717273747576
Across
  1. 1. Imitation and Gender Insubordination
  2. 5. Literature is said to be ____ as nothing has meaning in isolation (Eliot, Wimsatt & Beardsley)
  3. 7. Described by Shelley as anyone who fundamentally changes our thinking (Shklovsky agrees)
  4. 9. Creative Writers and Daydreaming
  5. 10. The History of Sexuality
  6. 12. Not always the author who figures this out (Intentional Fallacy)
  7. 13. This constructs women
  8. 17. Authors do intend things but the work should not be ____ on it (Intentional Fallacy)
  9. 19. From Work to Text and Death of the Author
  10. 20. Poetry _____ thinking (Shelley, Shklovsky, others)
  11. 21. Gender/Sexuality is a kind of ____, according to Butler
  12. 22. Literature reflects (Freud)
  13. 23. Understanding comes from this (Shelley)
  14. 25. Poetry is self-conscious as _____ (Sidney, and others)
  15. 26. Don't confuse the author for the speaker (Intentional Fallacy)
  16. 28. This is the engine of history (Marx)
  17. 29. Neoclassists have concern with general or this
  18. 30. The poem has its own _____ as an object (New Criticism)
  19. 32. Resemblance to life (Neoclassic)
  20. 34. This is active, doesn't just accept things, is the substance that reason needs (Shelley)
  21. 36. Catharsis as ____ (Freud) (13, 7)
  22. 38. The Intentional Fallacy authors (7, &, 9)
  23. 41. Perception of world eventually falls prey to routine (Shklvsky)
  24. 44. The underlying goal of modernism, according to Eliot (4, 5)
  25. 45. The value of literature according to Frued is that it ____ the tensions of the mind
  26. 48. According to Aristotle, poetry is more philosophical and significant than ____
  27. 49. The Ideology of Modernism
  28. 50. Women (and queers) are made to accept this as reality (11, 8)
  29. 51. Dead metaphors are now thought of as ______
  30. 52. These are arbitrary conventions
  31. 54. Can't apply same standards to everything (9, 9)
  32. 56. Looking for what the author meant to say (11, 7)
  33. 59. Women are _____-like
  34. 62. Consciousness derived from Material Conditions, On Greek Art in its Time
  35. 64. Metaphors are examples of thinking in ____ (Shklovsky)
  36. 68. Key end of poetry according to Sidney (5, &, 7)
  37. 70. All language is _____, every word has more than one meaning
  38. 71. Tradition and the Individual Talent
  39. 72. New metaphors are _____ (Shelley, Shklovsky, others)
  40. 73. A Defence of Poetry
  41. 74. Creates things that have never been, may never be (Sidney)
  42. 75. On Truth and Lie in an Extra-Moral Sense
  43. 76. The Intentional Fallacy suggests that the work and author should be _____
Down
  1. 2. Power exists to ____ things that are already there (Foucault)
  2. 3. Women are the ____
  3. 4. Attainable through poetry, perhaps
  4. 6. Developing chronologically over time (Eliot)
  5. 7. Gilbert and Gubar use this metaphor for women's writing
  6. 8. Critique of Sexual/Textual Politics
  7. 11. Biographia Literaria, friend of Wordsworth
  8. 12. Brooks (2, 5)
  9. 14. Freud's The ____ _____ (5, 4)
  10. 15. Reflection of world, first termed by Aristotle
  11. 16. Literature is an _____ working out of desires (Freud)
  12. 18. Primary purpose of text according to Shklozsky
  13. 24. Simultaneous order (Eliot)
  14. 27. This breaks things down, understands them, and analyzes (Shelley)
  15. 31. Quote from Republic (5, &, 6, 3, 8)
  16. 33. These unite past, present, and future, according to Freud - which literature is similar too
  17. 35. Ideas and how they are expressed/described are _____ connected
  18. 37. Infection in the Sentence (7, &, 5)
  19. 39. All language is _____ metaphorical (Shelley, and others, perhaps)
  20. 40. The poet never _____ and therefore never lies (Sidney, Johnson, and others)
  21. 42. All ideas are mediated through this, it is an intellectual prisonhouse so to speak
  22. 43. The Resisting Reader
  23. 46. Neoclassic idea that style should fit subject matter
  24. 47. Living through literature
  25. 53. The underlying goal of all human activity, which poetry should move us to according to Sidney(8, 6)
  26. 55. Simone de Beauvoir (3, 6, 3)
  27. 57. Truths are always seen from human's perspective
  28. 58. Shklovsky (3, 2, 9)
  29. 60. Coming of age
  30. 61. Poet as _____
  31. 63. Preface to the Lyrical Ballads
  32. 65. This is central to human thinking (Shelley, and others)
  33. 66. These are our codes of reality/society/culture (Barthes)
  34. 67. Determine what can be said, who can speak, what constitutes truth (Foucault)
  35. 69. Purgation, thought of by Aristotle