Across
- 2. When the triad is being outlined.
- 5. Suspensions can occur in any voice as long as it moves ____.
- 6. When the bass note stays the same and the harmony moves to a 6/4 chord above it
- 9. Unprepared dissonance on a strong beat.
- 11. V6/5 acts as this kind of tone.
- 13. This is not considered strong enough to be considered in 2nd level analysis.
- 14. When a suspension resolves up instead of down.
- 15. Inversions should be on this beat.
- 16. A chordal leap is this kind of embellishing tone.
Down
- 1. The Phrygian cadence ends on this chord.
- 3. This chord always moves to the V chord.
- 4. This kind of 6/4 chord expands the V chord.
- 7. V4/3 acts as this kind of tone.
- 8. This part of the suspension is a weak beat consonance.
- 10. Leading tone 7th chords contain two of these.
- 12. This neighboring tone uses non-diatonic pitches.