Across
- 3. This camel talks about natural, non-natural, expression, voice, accent, movement, mannerisms, affectations, aging, exaggerated, prosthetics, hair, costume and properties (props)
- 8. How time can be expanded, contracted or structured through editing.
- 9. the central meaning of a text.
- 11. Cultural, social, physical context of the story's action.
- 15. The events depicted (shown) in the film.
- 17. The structural story elements such as the opening, closing, acts and turning points etc.
- 19. A recognisable and consistent approach; for example, it might be aesthetic or structural, or it may relate to content and themes.
Down
- 1. The camel that talks about atmosphere, background, diegtic and non-diegtic.
- 2. The link between effect or outcomes and their causes as they occur in time and space.
- 4. A camel that uses words such as key, fill, back, high key, low key colour, intensity, diffused, natural, artificial, direct, reflected and day or night.
- 5. The depiction in the medium of film of a series of events in cause and effect relationship occurring in time.
- 6. Who is telling the story - or 'whose eyes are we looking through?
- 7. story camel that uses such terms as parallel narratives, narrative possibilities, interlinking, interconnected.
- 10. ALL the events of the narrative; shown or not.
- 12. A camel that is all about joining or combining of media elements, such as shots, to create meaning, such as narrative.
- 13. This camel talks about type, angle, movement, use and lens.
- 14. Aspects about character/s, that we can’t see or hear. It may also be the actions/reactions and even inactions of those characters, that give us insights into the nature of their character, the narrate
- 16. a French term that refers to 'putting into the scene'
- 18. The 'type' of film as defined through content and themes; supported through the use of appropriate codes and conventions.