Stanislavski Acting 1 - 2021 Fall

2. the way an actor should talk while answering questions about their character doing the word ‘acting’ literally means this
4. Stanislavski saw a lot of bad acting, which he termed this
7. the other way of connecting to a character; what Stanislavski said was more important
9. this word literally means "to do"
14. the character’s NEED
16. improv games and scene work are examples of this part of the Stanislavski system
18. one way of connecting to a character is through the actor’s own ___________
20. the dates that Stanislavski was active
21. these are verbs used to help connection to emotion and inform how we say lines (arguing, asking, pleading)
23. city where Stanislavski was from
24. a technique created by Stanislavski used to connect to the dominant emotion, originally called the “magic if”

1. true or false, Stanislavski taught METHOD acting
3. warms and stretching are examples of this part of the Stanislavski System
5. Stanislavski wanted actor’s to create character from the _______ instead of the outside
6. these are what make us human and what we should connect to as actors, NOT the circumstances
8. in class workshops with feedback are examples of this part of the Stanislavski System
10. games and activities that focus your thoughts on a particular skill are examples of this part of the Stanislavski System
11. what happened in the past that effects the characters present is called this
12. this is a motivated piece of action, also a word mispronounced by the Americans from the Russians
13. the meaning beneath the words being said is called
15. according to Stanislavski, in order for characters to appear real, actors must give them this, as well as "inner thought"
17. a smile is a smile wherever you go as are tears, thus emotions are __________
19. this is actually feeling what other feel, rather than feeling for them
22. type of acting Stanislavski created